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Colloquium Program Tuesday, 5 June 2012 Wednesday, 6 June 2012 Thursday, 7 June 2012 Special events in collaboration with the 14th International Student Film Festival Tuesday, 5 June 2012 9:30-09:45 Mexico Building, Room 206a Greetings Hannah Naveh, Dean, Faculty of Arts, Tel Aviv University Raz Yosef, Head of the B.A. Cinema Studies Program, Tel Aviv University 09:45-11:15 Mexico Building, Room 206a Histories of Violence Chair: Orly Lubin (Tel Aviv University) Philip Rosen (Brown University) Punctual Violence Nurith Gertz (The Open University of Israel) Time and the Ethical Turn in the New Israeli Cinema Meir Wigoder (Sapir College; Tel Aviv University) End Game: The Lynching of Muammar Kaddafi and the Death of Photography 11:30 - 12:30 Mexico Building, Room 206a Plenary Lecture Chair: Régine-Mihal Friedman (Tel Aviv University) Pierre Sorlin (L’Université Sorbonne Nouvelle - Paris 3) Film, Time, Memory 14:00 - 15:30 Mexico Building, Room 206a Temporalities of Loss Chair: Raz Yosef (Tel Aviv University) Idit Alphandary (Tel Aviv University) Remembering and Mourning in Nowhere in Africa by Caroline Link Sandra Meiri (The Open University of Israel) Parallel Chronologies – On the Historical Coincidence of the Eichmann Trial and the Stalags Odeya Kohen Raz (Tel Aviv University; Sapir College) The Ethics of “Vertical Time”: Traumatic Memory and Reenactment in Documentary Holocaust Films 14:00 - 15:30 Mexico Building, Room 209 The Ends of the World Chair: Shmulik Duvdevani (Tel Aviv University) Ulrike Hanstein (Bauhaus-Universität Weimar) Constellations: Planets, Earthlings, and Figurative Time Shifts in Melancholia and The Tree of Life Julian Hanich (Freie Universität Berlin) Including What’s Excluded: Suggested Horror and the Contemporary Cinema of Violence Miklos Sukosd (The University of Hong Kong) Chronologic, Ecologic, Media Logic: The End of the World in Film and Television 15:45 – 17:45 Mexico Building, Room 206a Mapping the Medium Chair: Judd Ne’eman (Tel Aviv University) Henry Sussman (Yale University) The Book as Cinema: Running Captions, Embedded Windows, Layering, and Other Devices in Peter Greenaway's The Pillow Book Michael Renov (University of Southern California) Indexical Time: Narrativity and the Novelistic in the Longitudinal Documentary Lynne Joyrich (Brown University) Tubular Vision: The Ins and Outs of Television Studies 18:00 – 19:00 Mexico Building, Room 206a Plenary Lecture Chair: Nurith Gertz (The Open University of Israel) Thomas Elsaesser (University of Amsterdam) Time Warps and Time Exposures: 1979, Fassbinder, and The Third Generation Wednesday, 6 June 2012 10:00 – 11:45 Mexico Building, Room 206a Documenting Time Chair: Yael Munk (The Open University of Israel) Scott Anthony (University of Cambridge) Calendar of the Year: The Timeless Visions of the GPO Film Unit Shmulik Duvdevani (Tel Aviv University) "Life in a Day/Day in a Life" – The Crowd Sourced Documentary and the Observational Mode Anna Magdalena Elsner (University of Oxford) “De jour en jour” (from day to day) - Documenting Times of Illness in Hervé Guibert’s La pudeur ou l’impudeur (1990) 10:00 – 11:45 Mexico Building, Room 209 Cinematic Timelines Chair: Noam Yoran (The College of Management Academic Studies; Tel Aviv University) Nir Kedem (Tel Aviv University) 1991: Queering the Time-Image, or the Transformation of Minor Cinema Kamil Lipiński (Adam Mickiewicz University) Photographic Images in Series in the Narrative Archives of Jean-Luc Godard Inbar Shaham (Open University of Israel) Planning and Spontaneity in Military Operation Films and in Adventure Films 12:00 – 13:00 Mexico Building, Room 206a Plenary Lecture Chair: Raya Morag (The Hebrew University of Jerusalem) Gertrud Koch (Freie Universität Berlin) Framing the Mass in Cinema: In and Off Screen 14:30 – 16:30 Mexico Building, Room 206a Cartographies of Israeli Media Chair: Nitzan Ben-Shaul (Tel Aviv University) Raya Morag (The Hebrew University of Jerusalem) Cinema and Perpetrator Trauma: New War, New Paradigm Yael Munk (The Open University of Israel) and Liat Savin (Bar Ilan University) Postwar in the City - Some Observations on Tel Aviv in Modernist Cinema and Architecture of the 1960's Boaz Hagin (Tel Aviv University) Don’t Mess with the Ouija Board: Motivations for a Transnational Remapping of Israeli Cinema Laliv Melamed (New York University) Coordinates of Intimacy: Exercising National Cartography in Memorial Day’s Programming Schedule 17:00 - 19:00 Mexico Building, Room 206a A Time and a Season: Exploring Cinematic Durations Chair: Sandra Meiri (The Open University of Israel) Eli Friedlander (Tel Aviv University) Seasons and Fate in Terrence Malick's Days of Heaven Orna Raviv (Tel Aviv University) The Good of Summer Noa Merkin (Tel Aviv University) Stillness and Motion in Truffaut’s Jules et Jim Judd Ne’eman (Tel Aviv University) Desert Sun in Light of the Moon Thursday, 7 June 2012 10:00-11:00 Mexico Building, Room 206a Plenary Lecture Chair: José Brunner (Tel Aviv University) Anton Kaes (University of California, Berkeley) Kracauer and Weimar Cinema, 1944-1946 11:15-12:45 Mexico Building, Room 206a Haunted Memories Chair: Ilan Avisar (Tel Aviv University) Nitzan Ben-Shaul (Tel Aviv University) Inglourious Basterds: Optional Thinking and Counterfactual History in Movies Miri Talmon (Tel Aviv University; Nazareth Academic Institute) Personal Memories, Collective Agendas: Novel Visions of the 1970s in Israeli Cinema Helene Meyers (Southwestern University) The Unmarked Chains of Paper Clips 11:15-12:45 Mexico Building, Room 209 More Than a Feeling Chair: Odeya Kohen Raz (Tel Aviv University; Sapir College) Ohad Landesman (Tel Aviv University) Clockwork Models and Millennial Dystopia in Stanley Kubrick’s Eyes Wide Shut Hila Avraham (Tel Aviv University) Old Age Made Tangible: A Tactile Approach to Cinema Gal Hermoni (Tel Aviv University; Sapir College) Not Crash, But Friction: “Haptic Aurality” as Erotic Temporality in David Cronenberg’s Crash 14:15 - 15:45 Kikoine Building, Room 1 Framing Technologies Chair: Boaz Hagin (Tel Aviv University) Markos Hadjioannou (Duke University) Refractions of the World: The Animating Effects of Waltz with Bashir Alla Gadassik (Northwestern University) Establishing the Keyframe: Animation, Cinematography, and the Organization of Movement Doron Galili (Oberlin College) End-Points and Blind-Spots in Media Theory 16:00 - 17:45 Kikoine Building, Room 1 Art/Cinema: Film and the Aesthetic Chair: Idit Alphandary (Tel Aviv University) Carol Jacobs (Yale University) Framing the Anagram: Atom Egoyan’s Artaud Double Bill Nicholas Baer (University of California, Berkeley) Time and History in Hans Richter’s Weimar Oeuvre Régine-Mihal Friedman (Tel Aviv University) Old Cosmogonies and Historical Epochs: The Mill and the Cross (2010) from Bruegel to Majewski Special events in collaboration with the 14th International Student Film Festival: Monday, 4 June 2012, 10:00-16:30 Tel Aviv University, Mexico Building, Room 213 Seminar on Palestinian Cinema Palestinian directors, actors and intellectuals will discuss Palestinian cinema and its relation to folklore, non-violent resistance, and the conflict (in Arabic with Hebrew Translation) Friday, 8 June 2012, 11:00-12:00 Tel Aviv Cinematheque War Crimes. Censorship. And Me. A talk with Israeli filmmaker Ram Loevy (in Hebrew) For additional information please contact us at: cineconf@post.tau.ac.il.