LANGUAGE
AND REVOLUTION:
Making Modern Political Identities
Edited by Igal Halfin
The
book examines the role of language in forging the modern subject. While social
historians regard language as a pragmatic tool, as much as an instrument of
power, intellectual historians treat language as a supra-human force which
somehow grips men and turns them into brain washed automatons. Taking issue with
both approaches, scholars contributing to the present volume treat language as a
force that imbued the historical protagonist with the horizon of his meanings on
the one hand and that was used by him or her to acquire a new sense of identity,
on the other. During the momentous reconfiguration of political and social
identities brought about by the advent of modernity, individuals were relocated
within new sets of discursive relations. Focusing on the idea of the ‘New
Man’ that animated all revolutionaries, historians whose work is collected in
the volume ask what it meant to define oneself in terms of one’s class
origins, gender, national belonging or racial origins. Whether they write about
the construction of class identity during the Russian Civil War, the
transformation of Germans into Nazis or the making of citizens out of his
majesty’s royal subjects in revolutionary France, contributors ask in what way
revolutionary language shaped the realm of the possible during the momentous
events that changed the face of Europe in the 19th and early 20th century.
Contributors: David Andress, Avner Ben Amos, Katerina Clark, Dan Diner, Elisabeth
Domansky, Peter Fritzsche, Boris Gasparov, Igal Halfin, Jochen Hellbeck, Peter
Holquist, David Hoffman, David Horn, Boris Kolonitski, Eric Naiman, Boris
Neumann and Mark Steinberg.
...[an] outstanding volume...an invaluable
resource for practicing cultural historians, graduate students, and advanced
undergraduates...
Slavic Review
CONTENTS
Introduction
Igal Halfin
1. Liberty and Unanimity:
The Paradoxes of Subjectivity and Citizenship in the French Revolution
David Andress
2. The
Desacrilization of the Monarchy: Rumours and ‘Political Pornography’
during WWI
Boris Kolonitski
3. Making Cossacks Counter-Revolutionary: The Don Host and the 1918
Anti-Soviet Insurgency
Peter Holquist
4. Modernity and
the Poetics of Proletarian Discontent
Mark Steinberg
5. Working,
Struggling, Becoming: Stalin Era Autobiographical Texts
Jochen Hellbeck
6. On Being the
Subjects of History: Nazis as Twentieth-Century Revolutionaries
Peter Fritzsche
7. Intimacy in
an Ideological Key: The Communist Case of the Twenties and Thirties
Igal Halfin
8. Grigorii
Aleksandrov’s Volga-Volga
Katerina Clark
9. The Symphony
as Mode of Production: Shostakovich’s Fourth Symphony and the End of the
Romantic Narrative
Boris Gasparov
10. Regarding The
Modern Body: Science, the Social, and the Construction of Italian Identities
David G. Horn
11. Bodies of
Knowledge: Physical Culture and the New Soviet Man
David L. Hoffman
12. Discourse Made Flesh: Healing and Terror
in the Construction of Soviet Subjectivity
Eric Naiman
13. Death in
Auschwitz as ‘Ugly Death’
Boaz Neumann
14. A French
Great Man’s Last Rites: The National Funeral of Leon Gambetta and the Transfer
of His Heart to the Pantheon
Avner Ben Amos
15. Enshrined
Oblivion: The POW Memorial Church in Bochum, Germany
Elisabeth Domansky
16. Varieties of Interpretation: The Holocaust in Historical Memory
Dan Diner
Notes on
Contributors
Index
403 pages
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2002
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0 7146 5304 7
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cloth
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£65.00/$104.95
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