Ruth Markus - Active Participation in
Academic Meetings:
1993
Series of meetings “
Futurism as Interdisciplinary Art”, The Multi-disciplinary
Program in
the Arts, Tel-Aviv University: The Futurist Stage.
1994
Motar Conference
“Architecture in the Arts”, Tel-Aviv University, 16-17.1.94: Sculpture as
Architecture: Giacometti’s ‘The Palace at 4 a.m.’ 1932-33.
1995
Motar Conference
“Women in the Arts”, Tel-Aviv University, 11-12.3.96: The Praying Mantis and
the Castrating Woman in Surrealist Art.
1997
Motar Conference “Word and Image,
Tel-Aviv University, 11-13.3.97: From Word to Image – Theory and Practice of
the Futuristic Manifestos.
1997 Conference “The Theatre and Alfred Jarry”, Tel-Aviv
University, March, 1997: The Futurist Performance.
1998 Annual
Conference of the Forum for Feminist and Gender Studies, Tel-Aviv University,
26-28.4.98: Sex and Gender in Giacometti’s Couples.
1999 International Conference “The
Metamorphosis of Marginal Images”, Tel-Aviv University, 20-21.1.99: What
Does the Mask Cover in Alberto Giacometti’s ‘The Invisible Object’ (1934-35).
1999 International Conference “Revolution and Institutionalzation in the Theatre” 27-28.6.99, The Goethe Institute and Tel-Aviv University: Futurist Performances: From Revolutionary Theory to Institutionalized Practice.
2000 Motar Conference “Vision and Reality”, 28-29.2.00, Tel Aviv University: Vision as Reality in Gauguin’s Paintings.
2000
Annual Conference of the Forum for
Feminist and Gender Studies, Tel-Aviv University, 14-15.3.00: Three Models
on Trance-Gender in Modern Art.