The Yolanda and David Katz Faculty of
the Arts - Art History
Tel-Aviv University
Linear Sculpture Between the Two World Wars
Ruth Markus, 1997-8
Bibliography - in English & French
General Background
- Heelan, P. A., Space-Perception and the Philosophy of
Science, Berkeley,
- Los Angeles London: University of
California Press, 1988.
- Kantorovich, A., Scientific Discovery:
Logic and
Tinkering, Albany: State
- University of New York Press,
1993.
- Kern, S., The Culture of Time and Space, 1880-1918,
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- Harvard University Press, 1983.
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World-view in the Nineteenth
- Century,
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1989.
Langer, S. K. Feeling and Form, New York:
Carles Scribner's Sons, 1953.
Ouspensky, P.D., The Fourth Way,
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Modern Art
Ashton, D., . A Reading of Modern Art,
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Bois, Y.A., Painting as Model, Cambridge,
Mass., London England: October - Book, MIT Press, 1990.
Chipp, H.B., Theories of Modern Art,
Berkeley, Los Angeles, London: University - of
California Press, 1975.
Cone, N., The Roots and Routes of Art in the 20th
Century, New York: Horizon - Press,
1975.
Giedion, S., "Transparency: Primitivism and Modern",
Art News, vol. 51, no. 4 - (Summer
1952), pp. 47-50; 92-96.
Goldwater, R., Primitivism in Modern Art,
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Harvard University (enl.ed.) 1986.
Harrison, C. and F. Orton (eds.), Modernism,
Criticism, Realism, Alternative Contexts - for Art,
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Kandinsky, W., Point and Line to Plane,
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McMullen, R., Art Affluence and Alienation - The Fine
Arts Today, London: Pall Mall Press, 1968.
Read, H., . The Philosophy of Modern Art,
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Richardson, J.A., Modern Art and Scientific Thought,
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Rubin, W. (ed.), Primitivism in 20th Century Art,
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of Modern Art, 1984.
Silver, K. E., Esprit de Corps: The Art of the Parisian
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Steinberg, L., Other Criteria, New York:
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Cat., (on the occasion of the XXth Olympiad),
Watson, S., Strange Bedfellows: The First American
Avant-Garde, N.Y., London,- Paris: Abbeville Press,
1991. Munich: Bruckmann Publ., 1972.
Modern Sculpture
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Unknown
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Hammacher, A.M., The Revolution of Modern
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Krauss, R., Passage in Modern Sculpture,
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Qu'est-ce que la Sculpture moderne, (Conception
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Rowell, M., The Planar Dimension, Exh. Cat.,
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Tucker, W., The Language of Sculpture,
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Linear Architecture and Design
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Twentieth Centuries, Harmondsworth:
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The Pelican History of Art, Penguin Books, repr. 1978.
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Psychology
Arnheim, R., Toward a Psychology of Art,
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1966.
Arnheim, R., Art and Visual Perception - A Psychology
of the Creative Eye, - Berkeley, Los
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Neumann, E., The Great Mother, New York:
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Cubism
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'The Fourth Dimension' and
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Reinterpreted", Art Quarterly, vol. 34, no. 4, (October
1971), pp. 410-433.
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Hudson, 1966.
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Francisco, London: Icon, Harper & Row, (revised ed.) 1968.
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(Modern Movements and Reaction in
- French Art,
1916-1928), New Haven and London: Yale University Press, 1987.
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Icon, Harper & Row, 1974.
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of Aesthetic and Art Criticism,
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New York: Abrams Inc., (revised
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and Hudson, 1971.
Lipchitz
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London: Pall Mall
- Press, 1969.
- Barbier, M., Lipchitz, Paris: Collection
du Musée national d'Art Moderne,
- Centre Pompidou,
1978.
- Dorival, B., "Les omissions d'Archipenko et de
Lipchitz", Bulletin de la
- societe de
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annee 1974 (1975) pp. 201-219.
Hammacher, A.M., Jaques Lipchitz,
New York: Abrams Inc., 1961, 1975.
Hess, T.B., "Lipchitz: Space for Modern Sculpture",
Art News, - (April 1954) pp. 34-37; 61-2.
Huidobro, V., "Jaques Lipchitz", Cahiers
d'Art, vol 3 (1928) pp. 153-157.
Lipchitz, J. & Arnason H., My Life in Sculpture,
London: Thames and - Hudson, 1972.
Raynal, M., "Dieu-table-cuvette", Minotaure,
no 1 (juin 1933) pp. 39-40.
Teriade, E., "Aspects actuels de l'expression
plastique", Minotaure, no 5 -
(Mai 1934) pp. 33-44.
Teriade, E , "A propos de la recente exposition de
Jacques Lipchitz", Cahiers- d'Art,
no 5
(1930) pp. 259-65.
Teriade, E , "Valeur plastique de movement",
Minotaure, no 1, (juin 1933)- pp. 45.
Van Bork, B., Jaques Lipchitz: The Artist at Work,
(with a critical evaluation by - Dr. A. Werner) New
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Werner, A., Lipchitz, The Cubist Period,
New York: Marlborough Gerson, 1968.
Wilkinson, A. G., Jacques Lipchitz: The Cubist
Period 1913-1930, New York: -
Marlborough Gallery, Inc., 1987.
Picasso
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Fable of Modern Art, Berkeley,
- Los
Angeles, Oxford: University of California Press, 1991.
- Barr, A., Picasso - 50 Years of His Work,
New York: The Museum of Modern
- Art, 1974.
- Bollinger, H., (introduction) Picasso's Vollard
Suite,
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- Hudson, 1977.
- Breton, A., "Picasso dans son élément",
Minotaure, no 1 (Juin 1933) pp. 10-29.
- Daix, P., Picasso : The Cubist Years, 1907-1916,
London: Thames
- and Hudson, 1979.
- Daix, P., Picasso, Life and Art,
London: Thames and Hudson, 1994.
- Fry, E.F., Book review of P. Daix and J. Rosselet, "Picasso: The
Cubist Years
- 1907-1916", Art Journal,
vol. 41, no. 1 (Spring 1981), pp. 93-95.
- Fry, E.F., "Picasso, Cubism and Reflexivity", Art
Journal, vol 47, no. (Winter
- 1988), pp.
296-310.
- Johnson, R.W., The Early Sculpture of Picasso, 1907-1914,
New York,
- London: Garland Pub. Inc., 1976.
- Lichtenstern C., Picasso, Monuments a Apollinaire,
Paris: Edition Adam
- Biro, 1990.
- Musee Picasso, Catalogue of the Collection, (introduction
by D. Bozo,
- Reunion des musees nationaux, Paris, 1985)
London: Thames and Hudson, 1986.
- Omer, M. (ed.), Picasso and Literature,
Exh. Cat., Tel-Aviv: The Genia
- Schreiber University Art
Gallery, Tel Aviv University, 1989.
- Penrose, R., The Sculpture of Picasso,
New York: The Museum of Modern
- Art, 1967.
- Penrose, R., Picasso: His Life and Work,
New York: Schocken, 1962.
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Retrospect, New York: Praeger, 1973.
- Picasso, Cat. d'Expo., (oeuvres recus en paiment
des droits de succession),
- Paris: Grand Palais, 1980.
- Picasso vue par Brassai, Cat. d'Expo.,
Paris: Musee Picasso, 1987.
- Picasso and the Age of Iron, Exh. Cat. (Curated by
Carmen Gimenez; Essays
- by Dore Ashton and Francisco Calvo
Serraler), New York: Guggenheim Museum, 1993.
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Cowling and John Golding),
- London: Tate Gallery,
1994.
- Read, P., Picasso and Apollinaire,
Paris: Edition Jean-Michel Place, 1995.
- Rosenblum, R., The Sculpture of Picasso,
Exh. Cat., New York: Pace
- Gallery, 1982.
- Rubin, W. (ed.), Pablo Picasso: A Retrospective,
Exh. Cat., New York:
- The Museum of Modern Art,
1980.
- Rubin, W. (ed.), Picasso and Braque Pioneering
Cubism, Exh. Cat.,. New York: The Museum
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of Modern Art, 1989
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London: Thames and Hudson, 1996.
- Schiff, G., Picasso in Perspective,
New York: Prentice Hall Inc., 1967.
- Smith, L. E., "Iconographic Issues in Picasso's 'Woman
in the Garden'", Arts Magazine,
- vol 56,
no 5 (Jan. 1982), pp. 142-147.
- Spies, W., Picasso Sculpture, London:
Thames and Hudson, 1972.
- Spies, W., Picasso: Das Plastische Werk,
Berlin: Nationalgalerie, 1983.
- Stein G., Picasso (the complete
writings , ed. by E. Burns), Boston: Beacon
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1970.
Gonzalez
- Descargues, P., Julio Gonzalez, Paris: Le
Musée de Poche, 1971.
- Julio Gonzalez 1876-1942, (Revue de
presse 1969-1970), Paris:
- Galerie de France, 1970.
- Julio Gonzalez, Exh. Cat., London:
The Tate Gallery, 1973.
- Markert, J., Julio Gonzalez, Catalogue
raisonné des sculptures
- (introduction de M. Rowell), Milano: Electa Spa, 1987.
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Exh. Cat.,New York:
- The Solomon R.
Guggenheim Museum, 1983.
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G. McCoy (ed.),
- David Smith,
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The Bulletin
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vol 5 (1954-58), New York: Arno, 1967, pp.42-48.
Tucker, W., "The Sculpture of Gonzalez", Studio
International, 17/6, (Dec. 1970) - pp. 236-9.
Tucker, W., The Language of Sculpture,
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Withers J., The Artistic Collaboration of Pablo
Picasso and Julio Gonzalez, Art - Journal,
XXV/2, Winter 1975/6, pp. 107-114.
Constructivism
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1910-1930: New
- Perspectives,
Exh. Cat., Los
Angeles,
Calif.: Los Angeles County Museum of Art, 1980.
Elliott, D. (ed.), Alexander Rodchenko,
Exh. Cat., Oxford: The Museum of - Modern Art, 1979.
Gabo, N., Gabo (introduction by H. Read),
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Gabo, N., On Divers Arts,
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Gallery of Art, 1959.
Karshan, D., Malevitch, the Graphic Work, Exh. Cat.,.
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Museum, 1975
Levinger, E., Levinger, E., "Art and Mathematics in the
Thought of El Lissitzky: - His Relationship to
Suprematisn and Constructivism", Leonardo,
vol 22, no 2, (1989), pp. 227-236.
Lodder, Ch. Russian Constructivism, New Haven
and London: Yale University - Press, 2nd print, 1985.
Milner, J., Vladimir Tatlin and the Russian
Avant-Garde, New Haven and London: - Yale
University Press, 1984.
Paris - Moscou, 1900-1930, Cat.
Expo., Paris: Centre national d'Art et de la - Culture,
George Pompidou, 1979.
Pevsner, A., Naum Gabo and Antoine Pevsner: A
Biographical Sketch of My- Brothers,
Amsterdam:
Augustin and Achoonman, 1964.
Zhadova, L., A., (ed.) Tatlin, London:
Thames and Hudson, 1988.
Surrealisn
- Ades, D., "Dada and Surrealisn",
Concepts of Modern Art, ed. by N. Stangos,
-
London: Thames and Hudson, 1983, pp. 110-137.
- Alexandrian, S., Surrealist Art,
London: Thames and Hudson, 1975.
- Breton A., "Artistic Genesis and Perspective of
Surrealism" (1941), Surrealism
- and
Painting,
New York: Harper & Row, 1972.
Breton A., "The Automatis Message",
What is Surrealism? Selected Writings - (ed. by F.
Rosemont), London: Pluto Press, 1978.
Dali, S., "The Object as Revealed in Surrealist
Experiment", Theory of Modern- Art,
ed by H.B.
Chipp, Berkeley, L.A., London: University of California Press, 1975, pp.
417-427.
Fer, B., D. Batchelor and P. Wood, Realism,
Rationalism, Surrealism: Art- Between the Wars,
New Haven and London: Yale University Press, 1993.
Finkelstein, H., "The Incarnation of Desire, Dali
and the Surrealist Object", RES - 23 (Spring
1993) pp. 115-137.
Foster, H., Compulsive Beauty, Cambridge,
Mass. and London: October Book, - MIT Press, 1993
Foster, H., "Convulsive Identity", October
57, (Summer 1991), pp. 19-54.
Melly, G. and M. Woods, Paris and the Surrealists,
London: Thames and - Hudson, 1991.
Rubin, W. S., Dada and Surrealist Art,
London: Thames and Hudson, 1974.
Rubin, W. S., Surrealism and Their Heritage,
Exh. Cat., New York: The Museum - of Modern Art,
1968.
Giacometti, Catalogues
- Alberto Giacometti, California: Frank Perels Gallery,
1970 (Interview by
- Pierre Schneider, "My Long Walk",
translated from L'Express, 8.6.1961, Paris)
- Alberto Giacometti, Chicago: Ratner collection, The
Art Inst., 1974-75.
- Alberto Giacometti, London: The Tate Gallery, 1965 (By
the Art Council of
- Britain, with text by David
Sylvester, "The Residue of a Vision").
- Alberto Giacometti, New York: The Museum of Modern
Art, 1965. (Introduction
- by Peter Selz, and
Giacometti's letter to Matisse).
- Alberto Giacometti, New York: The Solomon R.
Guggenheim Museum, 1974
- (Collection of the Alberto
Giacometti Foundation in Switzerland, text by Reinfold Hohl).
- Alberto Giacometti, New York: Pierre Matisse Gallery,
1964 (Interview by
- James Lord).
- Alberto Giacometti, Paris: Musee national d'Art
Moderne, Orangerie,
- 1969-1970 (Introd. by Jean
Leymaire.
- Alberto Giacometti, Saint Paul: Fondation Maeght, 1978
(Jaques Dupin, "la
- realite impossible"; Michel
Leiris "Autres heures, autres traces").
- Alberto Giacometti, Washington D.C.: Hirshhorn Museum
and Sculpture
- Garden of the Smithsonian
Institution Press, (Valerie J. Fletcher with essays by Silvio Berthoud and
Reinhold Hohl).
Giacometti, Books & Articles
- Bell, R., "Giacometti's Art as a Judgment on
Culture", The Journal of
- Aesthetics and Art
Criticism
vol 47, no l (Winter 1989), pp. 15-20.
Bonnefoy, Y., Giacometti: A Biography of his Work,
France: Flammarion, 1991.
Bonnefoy, Y., "Giacometti, le problems des deux
epoques", Connaisance des- Arts,
no 478 (numero special consacre a Giacometti, decembre, 1991), pp. 61-77.
Dupin, Jaques, Alberto Giacometti, Paris:
Maeght, 1962.
Giacometti, A., "Le palais a 4 heures",
Minotaure 3/4 (Paris 1933) p. 46.
Giacometti, A., Le Rêve, le sphinx et la mort de T",
Labyrinth 22-23- (Decembre 1946)
pp.12-13.
Genet, Jean, "L'Atelier d'Alberto Giacometti",
Derriere le Miroir, France: -
Aime Maeght, 1957.
Hohl, Reinhold, Alberto Giacometti,
London: Thames and Hudson, London,- 1972.
Huber, C., Alberto Giacometti, Lausanne:
Edition Rencontre, 1970.
Krauss, R., "Giacometti", Primitivism in
20th Century Art, . ed. by W. Rubin, -
New York: Museum of Modern Art, 1988, pp. 503-533
Lamarche-Vadel, Bernard, Alberto Giacometti,
New York: Tabard Press, 1989.
Lord, James, Giacometti, London: Faber &
Faber, 1986.
Rotzler, W. and Adelmann N., Alberto Giacometti,
Lausanne: Orbis Pictus, - Vol. 51, Payot,
1970.
Vollichard D. "Alberto Giacometti et la figuration",
L'Oeil, no 371 (juin 1986),- pp. 48-55.
Calder
- Alexander Calder, 1898-1976, Cat. Expo. Paris: Musée d'Art
- moderne de la ville de Paris, 1996.
- Calder, A., Autobiographie, Paris:
Maeght, 1972.
- Calder, A., & Davidson, J., Calder: An Autobiographie
With Pictures,
- London: Allen Lane, Penguin Press,
1966.
- Calders's Universe, New York: The
Whitney Museum, 1976.
- Lipman J. with M. Aspinwall, Alexander Calder and His
Magical Mobiles,
- New York: Hudson Hill
Press with the Whitney Museum of American Art, 1981.
David Smith
- David Smith 1906-1965: Small Sculptures of the Mid-Forties,
(Introduction by
- R. Krauss), Exh. Cat., New York:
Malborough Gerson, 1968.
- Krauss, R., Terminal Iron Works: The Sculpture of
David Smith,
- Cambridge, Mass.: MIT Press, 1971.
- McCoy, G., David Smith, London: Allem
Lane, Penguin Press, 1973.
- Merkert, J. (ed.), David Smith: Sculpture and
Drawings, Munich:
- Prestel-Verlag,
1986.
- Wilkin, K., Smith, New York: Abbeville Press,
1984.
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