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Updated Colloquium Program:
Tuesday, 8 June 2010
Wednesday, 9 June 2010
Thursday, 10 June 2010
Downloads and links
Tuesday, 8 June 2010
9:30-10:00
Mexico Building, Room 206a
Greetings
Dany Leviatan, Rector, Tel Aviv University
Hannah Naveh, Dean, Faculty of Arts, Tel Aviv University
Raz Yosef, Head of the Cinema Studies Program (B.A.), Tel Aviv University
10:00-12:00
Mexico Building, Room 206a
Exceptional Times
Chair: Judd Ne’eman (Tel Aviv University)
Philip Rosen
(Brown University)
Exceptional Times
Régine-Mihal Friedman
(Tel Aviv University)
Suspended Times, Metaphysical Times, and Genealogy in Godard’s Notre musique
András Balint Kovács
(Eötvös Loránd University)
Suspended Time and Circularity
10:00-12:00
Mexico Building, Room 210
Suspending and Accelerating Time on Television: Liveness, Love, Reality Shows, News and Death in a Crash
Chair: Oren Soffer (The Open University of Israel)
Jerome Bourdon
(Tel Aviv University; CSI-CNRS)
Liveness beyond Television: Connected Selves and Addiction to the Rhetorics of Real Time
Michal Pick Hamou
(Bezalel Academy; Tel Aviv University)
The Inverting Effect of Time Suspension in Television Reality Shows
Kinneret Lahad
(Tel Aviv University)
Someday He’ll Come Along: Late Singlehood, Suspense and Waiting Time
Akiba Cohen
(Tel Aviv University)
The Impact of “Moving” Images on the Comprehension of TV News
Nurit Guttman
(Tel Aviv University)
Crashing Backwards and Forward in Time: The Fatal Attraction Genre of Road Safety Advertisements
12:15-14:00
Mexico Building, Room 206a
Suspended Temporalities
Chair: Raz Yosef (Tel Aviv University)
Orly Lubin
(Tel Aviv University)
Suspension of Time, Suspension in Space
Roi Tartakovsky
(Tel Aviv University)
Temporality and Recognizability in Ken Ohara’s with
Meir Wigoder
(Sapir College; Tel Aviv University)
Looking at the Unreturned Look: Time, Frame and Death in Palestinian Morgue Photography
15:30-17:15
Mexico Building, Room 206a
History Repeated: Suspense and Temporality in German Cinema
Chair: José Brunner (Tel Aviv University)
Tobias Ebbrecht
(Film and Television Academy, Potsdam-Babelsberg)
Endurance and Repetition: Temporality in Romuald Karmakar’s Documentary Films
Michael Elm
(German Academic Exchange Service, Ben-Gurion University of the Negev)
Historical Authenticity and Suspense in Recent German films
Lea Wohl
(University of Hamburg)
Two Levels of Suspense in Oliver Hirschbiegel’s Das Urteil
17:30-18:30
Mexico Building, Room 206a
Plenary Lecture
Chair: Régine-Mihal Friedman (Tel Aviv University)
Daniel Dayan
(EHESS-CNRS)
The Benefits of Suspension: Challenging the Claims of News Images and Replacing Scandals by Controversies
Wednesday, 9 June 2010
9:45-11:30
Mexico Building, Room 206a
In Times of War
Chair: Anton Kaes (University of California, Berkeley)
Judd Ne’eman
(Tel Aviv University)
The Naked and the Bad
Ilan Avisar
(Tel Aviv University)
Genre, Temporality and the Politics of War Movies
Yael Munk
(The Open University of Israel)
Flandres: A Hyper-Realistic Journey to the Blood-Soaked Collective Memory of France
Jay Winter
(Yale University)
From Silent Film to Filmic Silence: Suspense, Sound, and Cinematic Representations of War
9:45-11:30
Mexico Building, Room 211
Politics, Narration, and Movement
Chair: Sandra Meiri (The Open University of Israel)
Yael Levy
(Tel Aviv University)
The Politics of Repetition and the Housewife in The Hours
Emmanuelle Lacalm
(Université Paul-Valéry Montpellier III; Università degli studi Roma Tre)
Temporal and Spatial Structures in Marco Ferreri’s Dillinger is Dead
Natalie Haziza
(The Hebrew University of Jerusalem)
“Under Erasure”: William Kentridge and Post-Apartheid South Africa
11:45-12:45
Mexico Building, Room 206a
Plenary Lecture
Chair: Orly Lubin (Tel Aviv University)
Elisabeth Bronfen
(University of Zurich)
A Capacity for Movement: Hollywood’s Military Musical and the Choreography of Battle
14:15-16:15
Mexico Building, Room 206a
Suspenseful Documentaries
Chair: Shmulik Duvdevani (Tel Aviv University)
Janet Walker
(University of California, Santa Barbara)
“Walking through Walls”: New Technologies of Navigation and the Unsuspended Spaces of 9 Star Hotel, Gaza Tunnels, and Google Earth
Raya Morag
(The Hebrew University of Jerusalem)
Current Israeli Documentary Cinema and the Trauma of the Perpetrator
Ohad Landesman
(New York University)
In the Realm of the Unreal Documentary: When Should We Suspend Our Disbelief in Nonfiction Film?
Michael Renov
(University of Southern California)
Temporality and the Animated Documentary
16:30-18:30
Mexico Building, Room 206a
The End of Days: Apocalypse and Crisis in American Cinema
Chair: Raya Morag (The Hebrew University of Jerusalem)
Allison Whitney
(Texas Tech University)
Suspended in Air: Emotion and Politics in United 93
Erez Dvora
(Tel Aviv University)
Time of Destruction and Time of Redemption in Apocalyptic Christian Cinema
Shmulik Duvdevani
(Tel Aviv University)
Home Movie Meets the Monster: 9/11 and Its Cinematic Aftermath
18:45-19:45
Mexico Building, Room 206a
Plenary Lecture
Chair: Nitzan Ben-Shaul (Tel Aviv University)
Annette Michelson
(New York University)
Savage Thought and Cinematic Time
Thursday, 10 June 2010
9:45-11:30
Mexico Building, Room 206a
The Time Machine: The Medium and Suspense
Chair: Yael Munk (The Open University of Israel)
Linda Williams
(University of California, Berkeley)
Hurry Up, Slow Down: Suspended Time in the Action Melodrama
Judith Jack Halberstam
(University of Southern California)
Flying the Coop: Stop Motion Animation and the Cinema of Escape
11:45-12:45
Mexico Building, Room 206a
Plenary Lecture
Chair: Ilan Avisar (Tel Aviv University)
William Rothman
(University of Miami)
The Master of Suspense
14:15-16:00
Mexico Building, Room 206a
Nation, Time, and Space
Chair: Ronie Parciack (Tel Aviv University)
Miri Talmon-Bohm
(University of Wisconsin, Madison)
The Case of the Missing Father: Masculinity, Parenthood, and Identity Codes in Joseph Pitchadze’s Year Zero
Daniel Raveh
(Tel Aviv University)
From Suspense to Self-Identity: Reflections on A.R. Murugadoss’s Ghajini
Tirsa Kugler
(Tel Aviv University)
Veiled Storytelling: Suspended Narratives in “New Wave” Iranian Movies
Mary Ainslie
(Manchester Metropolitan University)
Incorporating Structures of Suspense into Thai Horror Cinema
14:15-16:00
Mexico Building, Room 211
Rethinking the Master of Suspense: Hitchcock Revisited
Chair: Odeya Kohen Raz (Tel Aviv University)
Inbar Shaham
(The Open University of Israel)
Seeing Red: The Female Body and the Body of the Text in Hitchcock’s Marnie
Yael Maurer
(Tel Aviv University)
Sometimes a Bomb Is More like a Blowup or Masterful Sabotage
Mike Frank
(Bentley University)
Suspense, Existential and Hitchcockian: Why Not to Take Hitchcock Seriously
16:15-17:15
Mexico Building, Room 206a
Plenary Lecture
Chair: Talma Hendler (Tel Aviv University; Tel Aviv Medical Center)
Torben Grodal
(University of Copenhagen)
Audiovisual Dope: Neurology and Narrative Drive in Films
17:30-19:00
Mexico Building, Room 206a
Brain and Cognitive Science on Cinematic Experience
Chair: Boaz Hagin (Tel Aviv University)
Nitzan Ben-Shaul
(Tel Aviv University)
Movie Suspense and Optional Thinking Deficiency
From Cinema to Brain and Back: A Call for Dialogue between Fields:
I.
Talma Hendler
(Tel Aviv University; Tel Aviv Medical Center)
Cinematic View into the Brain
II.
Gal Raz
(Tel Aviv University; Tel Aviv Medical Center)
Neuroscientific View into the Mosaic Reception of Motion Pictures
Yadin Dudai
(The Weizmann Institute of Science)
Toward Brain Theory of Cinema, or, How Movies Were Anticipated by Evolution
Colloquium Committee: Ilan Avisar, Nitzan Ben-Shaul, Régine-Mihal Friedman, Nurith Gertz, Boaz Hagin, Judd Ne’eman, Sandra Meiri, Raz Yosef, Anat Zanger
Colloquium Managers: Maya Gayer and Isaac Rosen
We gratefully acknowledge the generous support of
The Open University of Israel
Israel Ministry of Foreign Affairs, Division for Cultural and Scientific Affairs
The Dan David Foundation
The Karin Brandauer Chair for Visiting Professors in Theatre, Film and Television
The Sackler Faculty of Medicine
The Minerva Institute for German History
The French Embassy in Israel
The Embassy of Switzerland in Israel
The Embassy of the Republic of Hungary in Israel
The Balassi Institute
The Chaim Herzog Institute for Media, Politics and Society
The President of Tel Aviv University Fund
The Rector of Tel Aviv University Fund
Downloads and links:
Poster
for Suspenseful Times and the Moving Image: The Eighth Tel-Aviv International Colloquium on Cinema and Television Studies (2010) (pdf).
Program
for Suspenseful Times and the Moving Image: The Eighth Tel-Aviv International Colloquium on Cinema and Television Studies (2010) (pdf).
For updates and changes please see online program above.
Call for papers
for Suspenseful Times and the Moving Image: The Eighth Tel-Aviv International Colloquium on Cinema and Television Studies (2010) (pdf).
The 13th International Student Film Festival
The Department of Film and Television, Tel Aviv University
Previous colloquia:
Website
for the Seventh Tel-Aviv International Colloquium on Cinema Studies (2008).
Call for papers
for the Seventh Tel-Aviv International Colloquium on Cinema Studies (2008) (pdf).
Program
for the Sixth Tel-Aviv International Colloquium on Cinema and Television Studies (2006) (pdf).
Selected papers from the Sixth Tel-Aviv International Colloquium on Cinema and Television Studies appear in
Framework,
49-1 (Spring 2008).
For additional information please contact us at:
cineconf@post.tau.ac.il.
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